A close friend recently shared with me Sanjay Kak’s review (login required) of Ramachandra Guha’s book, “India After Gandhi.” The review is flawed for the following reasons:
- Killing the Messenger: Guha’s book is a historical account of India and if history did not quite follow the course of perfection that Kak demands, it’s not Guha’s problem. For example, what is Guha to do if early elections did not fully represent Kak’s definition of democracy. Of course, the real tragedy is Kak’s complete dismissal of India’s early elections as “procedural—rather than the substantive—aspects of democracy….” Kak reminds me of myself who finds fault in the “way” the guy in the park is exercising forgetting the irony that he’s at least exercising.
- Focusing on the Trivial: Kak’s litany of issues with Guha’s book are dominated by trivial criticisms. For example, Kak finds fault with (1) the sub-title (“not A History, mind you, but The History”), (2) “even the small selection of pictures … fixated by the man—or woman—of power, from Lord Mountbatten to Amitabh Bachchan”, (3) Guha’s methodology describing it as “curious” (academic speak for “something wrong”) for utilizing both primary and secondary sources, and (4) using “hugely contested words like ‘Jihadi’ and ‘Terrorist’.”
- Criticizing the Absence of What was Supposed to be Absent: Guha – to my own disappointment – refuses to engage deeply with the 1990s and 2000s because it’s not distant enough for a historical perspective. But these periods are probably the closest to the average reader (not the exacting pseudo-academic that Kak is) and so Guha addresses them briefly. Kak finds the author’s prerogative to define “scope of work” unacceptable. I guess every aspiring author needs to have his / her subject validated by Kak before proceeding to write it.
- Questionable Intentions: Kak’s review is so intensely negative of Guha that I began questioning his true intentions. So I asked, “Who on earth is Kak?” It is “curious” that both Kak and Guha were born in 1958 and attended St. Stephens according to Wikipedia (the source will sorely disappoint Kak). Is it likely that both overlapped at St. Stephens and Kak finds it difficult to reconcile to the fact that Guha has done more things with his life? Kak’s (seemingly slim) body of work “includes films on the theme of migration, looking at people of Indian origin in the fringes of the city of London.” Isn’t it insane that someone who studied the “problems” of NRIs should question Guha – who began his career with “The Unquiet Woods” – for not adequately addressing India’s development refugees?
- Lousy Writing: Let me just say that I was able to complete Guha’s 900-page book but gave up on reading the last two columns of Kak’s three-page review.
Posted by isarathi